PBS: Why I Watch, But Don’t Contribute

Submitted by: Mike Spindell, guest blogger

On September 16, 1962 Edward R. Murrow, who was the greatest TV Journalist and a particular hero of mine http://www.museum.tv/eotvsection.php?entrycode=murrowedwar, premiered the opening of Public Television on Channel 13 in New York City. You can watch that very short broadcast in this link so you can understand the mission of this station at its beginnings: http://www.youtube.com/watch?v=-gr-QxU1Sz0

At the age of 17, I watched Mr. Murrow enthralled as he laid out the defined purpose of this station, which was to provide educational, non-commercial television, that would innovate new programming to educate/inform and amuse its’ listeners. This opening occurred two weeks after the death of my mother. My father (who would die a year later) and I watched this show together, bonded by the sorrow we shared and by the fact that Ed Murrow had been someone whose news shows we three had watched together for a decade. Given that he was a ninth grade dropout, my father was a man of intellectual depth who read Camus, Sartre and was a devotee of avante garde cinema. He passed his tastes on to me. So for us, this was a momentous event, given the inanity that characterized much of commercial TV with its’ intellectual paucity. This beginning initiated an emotional link with me to the concept of public TV that has lasted ever since.

In the years that followed Channel 13 would become an anchoring member of the Public Broadcasting System. I was a dedicated viewer and modest financial contributor via yearly membership. I could go into a litany of the presentations that informed me, moved me and entertained me through the years, but that is not my purpose here. Somewhere along the way from the beginning of non-commercial television until today, I became skeptical about contributing to it, while still availing myself of it’s’ services. I write about why this skepticism developed and why it remains.

One of the investigator/journalists that I most respect is Russ Baker and his blog: http://whowhatwhy.com/ . Recently, I did a guest blog based upon a book Mr. Baker had written: http://jonathanturley.org/2012/03/17/a-real-history-of-the-last-sixty-two-years/#more-46802 . This week I read an article by him titled Will Political Ads Destroy Public Broadcasting’s “Uniqueness”? . Baker states:

“On Thursday, a divided federal appeals court overturned a previous ban on public broadcasting stations running political ads. Well-meaning public-interest outfits such as Free Press quickly condemned the action, and urged the public to bring pressure on those broadcasters not to run the spots.”

 “But here’s the sad truth: With a few notable exceptions, big public broadcasting (let us distinguish the national PBS/NPR from community-based entities) is a lot less educational than it would like us to believe. True, it contains “thought-provoking” material delivered by dulcet-toned broadcasters and a charming, southern-inflected host with lightly tousled hair, and people seemingly disagreeing in the politest of manners. But the content of these broadcasters is just about as influenced by commercial interests and dominant cliques as the more “vulgar” commercial broadcasters.”

Russ Baker was writing about something that I had felt for years, but never discussed with people, because criticizing PBS in many educated circles would seem to be heresy. Wasn’t it those Right Wing Authoritarians who kept shouting that PBS was too liberal? To be critical of PBS, in light of the Right Wing attacks, seems to someone of my political perspective, giving aid and comfort to the enemy. Yet I had privately felt for years that much of PBS was little more than an outlet controlled by those interests who would re-make our country into a Corporatocracy. As I watched at the beginning of many a program funded by Corporate sponsorship, or that of foundations like the Alfred P. Sloan Foundation, the Pew Charitable Trust, the Ford Foundation and Charles G. Koch Foundation I felt queasy. The corporations are allowed to display tasteful, low key commercials, which befit the status and intellectual level of the general PBS audience. The various foundations get their names mentioned in hushed, stentorian tones, befitting institutions to be viewed as icons. At the end of this article I’ve provided links about the four foundations mentioned. If you check them out I’m sure you will see that they were funded by some of America’s premier capitalists. Their purposes are to promote the idea of a Capitalist (Corporate) America prevailing, as long as it adheres to the principles of free market and small government. Russ Baker continues:

“Public broadcasting, which largely targets an affluent, well-educated audience of liberal and progressive bent, is a powerful tool for shaping perceptions and convincing people to continue working within the system rather than fully appraising the corruption that undergirds that system. A brutally candid investigation of our country’s institutions and political/cultural leaders as they actually function would make affluent liberals much more uncomfortable. They’d have to examine the corporate, legal and academic networks of which they are a contented part. And they’d be forced to see that when liberals get into power, all too many end up serving corporate interests in ways that differ from conservatives more in style and tone than in profound shifts of policy and governance.

Public broadcasting regularly pulls its punches—and has gotten steadily worse in recent years. You can blame attacks from the Right, which periodically threaten to eliminate government support of PBS and NPR. But, in fact, public broadcasting has always been, to some extent, an arm of the establishment.

By creating an aura of thoughtfulness, it has essentially lulled the public into complacency. By its very existence, it has convinced us that dissent is not only welcomed but has a vigorous presence in the American conversation. By having hard-core corporate operatives gently debate tepid reformers, it has given us the facade of open discussion and probing inquiries. Which is why those oil companies, banks, and foundations set up by the very rich are so happy to underwrite all that good taste”.

Baker’s words resonate with me. They encapsulate all I’ve been thinking and feeling for many years regarding PBS programming. While the opening credits on every PBS show throw in the words “and from people like you” after each long announcement about the Corporations and Rich people’s foundations contributing to producing it, those wealthy contributors certainly have more influence on content, than all of the subscriptions paid for by us common folk combined.

PBS even has a website dedicated to Corporate Sponsorship: Corporate Sponsorship Web Site where you can see a list of corporate sponsorship http://www.sgptv.org/sponsors/browse. Among those sponsors are corporations well-known for their “public interest”: ExxonMobil, Dow Chemical, Pfizer, Siemen’s, BP, Chubb, Merrill Lynch/Bank of America, Ameriquest, McDonald’s and so on. Here is a quote from the press release announcing the initiation of this website in 2004:

“About the Sponsorship Group for Public Television (SGPTV):
The Sponsorship Group for Public Television is a full-service sales, marketing and client services team that secures national corporate sponsors for signature PBS programs. The team represents many of the highest-rated and best-known series on PBS, including American Experience, Antiques Roadshow, Frontline, Masterpiece Theatre, and Nova. In addition to representing the largest portfolio of prime-time series on public television, SGPTV represents popular PBS children’s shows, such as Arthur, Zoom and Between the Lions, and well-known cooking and do-it-yourself programs such as New Yankee Workshop” and “Victory Garden.”

This in effect is a marketing department for Public Broadcasting. I included the Murrow clip in the beginning, because he said and believed that Educational TV was to be a “non-commercial venture”, with the implication that it wouldn’t be tainted by the sponsor’s interference which pervades commercial television programming. When these commercials began appearing prior to PBS shows marks where my skepticism about PBS began. Afterwards I started watching each show more critically and evaluating what was being presented. William F. Buckley’s “Firing Line” aired on PBS in 1971 with the auspices of South Carolina Educational Television http://en.wikipedia.org/wiki/Firing_Line , I felt it was fair at the time since it was balanced by shows like David Susskind’s “Open End” and Dick Cavett off and on. “Firing Line persisted though for enough years to become PBS’ longest running talk show. Buckley used his prodigious vocabulary and patrician manners to dazzle his viewer’s, but often his use of little used verbiage was a cover for the fact that his logic was deficient. His manner was that of a genteel, yet smiling bully. It was the marquee talk show on PBS and it was decidedly a propaganda machine for conservative politics, which dazzled even many liberals in the affluent PBS audience base. I’ve previously written about William F. Buckley, Jr. in this blog post below.  http://jonathanturley.org/2011/12/04/william_f__buckley_jr__1985/#more-42375

The anchor news program on PBS is of course “The PBS NewsHour” which in my opinion is very “centrist” in the sense of using the current news methodology of giving equivalency to opposing political arguments. The best example of “equivalency” would be treating a debate between scientists who believe in evolution, with believers in “Intelligent Design” as a debate between equally valid arguments. Currently 65% of “The PBS NewsHour” is owned by Liberty Media which is owned by a man known for his right wing viewpoint.

“In October 2006, the progressive media criticism group Fairness and Accuracy in Reporting (FAIR) accused the NewsHour of lacking balance, diversity, and viewpoints of the general public, in favor of Republican Party and corporate viewpoints. FAIR found that the NewsHour‘s guest list from October 2005 to March 2006 had Republicans outnumbering Democrats 2:1, and people of color accounting for 15% of U.S.-based sources.[19] FAIR also protested in 1995 when Liberty Media purchased a majority of the program, citing Liberty’s majority owner, John Malone, for his “Machiavellian business tactics” and right-wing sentiments.http://en.wikipedia.org/wiki/PBS_NewsHour

The Corporate Sponsorship of “NewsHour” is: ATT, Citibank and BSNF Railways. Its’ foundation sponsor roll is replete with right wing stalwarts like the Bechtel Foundation (mid-East Oil). Here is a full list of sponsor’s from the NewsHour’s website: http://www.pbs.org/newshour/aboutus/funders.html . Other critiques of the NewsHour:

Noam Chomsky criticizes the short span of time that he was allotted when interviewed on the NewsHour in September 1990. Chomsky complains that a short format allows only the repetition of conventional wisdom, not the exploration of ideas. In 1992, radio broadcaster David Barsamian called the NewsHour “stenographers to power.”

Media critic David Barsamian, mentioned above, wrote a book about PBS titled “The Decline and Fall of Public Broadcasting”. Among the points he mentioned in the book are:

“… virtually since its inception there has been constant political pressure to temper public broadcasting and to control its content. One method has been through “flak,” consistently pressuring public radio and television through the incessant canard that they have a left-wing bias. It started with Nixon in the 1970s. In the 1980s, NPR was accused of being “Radio Managua on the Potomac.”

 “In its pitch to potential advertisers, PBS encourages businesses to: Learn how PBS Sponsorship can help your corporate message stand out from the clutter of commercial advertising-and reach your target audience! Through sponsoring PBS programming such as Talking Money with Jean Chatzky, Clifford the Big Red Dog, and Washington Week, you not only build your brand and enhance your marketing, you also become associated with the high public image of PBS.”

 “Corporate advertising poses one set of problems for public broadcasting. The ideological and political climate that informs the content of programs is yet another concern. A mandarin caste of milquetoasts at each station-only a handful of people, and sometimes just one individual-decides what gets on the air. They are acting as gatekeepers, deciding what we will see and hear. Let me give you some examples. In 1993, PBS aired “The Prize: The Epic Quest for Oil, Money, and Power,” a series funded by Paine Webber, a company with petrochemical oil interests. The main analyst of the series was Daniel Merging, a consultant to major oil companies. Almost every expert featured was a defender of the oil industry. That same year, PBS aired a documentary called “James Reston: The Man Millions Read,” a rather flattering profile about the New York Times columnist. The film was funded by and produced in association with the New York Times, Reston‘s long-time employer. The director and producer of the film was Susan Dryfoos, a member of the Sulzburger family, which owns the New York Times, and the daughter of a former Times publisher. Conflict of interest? Fahggeddaboudit.”

“Certainly the issue is not a lack of quality programming. In 1995, an Academy Award-winning documentary short on domestic violence by Margaret Lazarus and Renner Wunderlich, “Defending Our Lives,” was rejected at PBS. “Defending Our Lives” was filmed in Framingham Prison for Women in Massachusetts and focused on eight women prisoners who had been battered and beaten by the husbands they eventually killed. One of the producers was a leader of a battered women’s support group, but PBS felt that this gave her “a direct vested interest in the subject matter of the program” -perhaps because she was against domestic violence. PBS added that “programming must be free from the control of parties with a direct self-interest in that content.”

PBS also declined to air a documentary called “The Money Lender$: The World Bank and IMF,” a film by Robert Richter. Why? PBS was concerned that “Even though the documentary may seem objective to some, there is a perception of bias in favor of poor people who claim to be adversely affected.” PBS also turned down “Out at Work,” an excellent film about gays in the workplace that was shown at the Sundance Film Festival. The film, produced and directed by Kelly Anderson and Tami Gold, was scheduled to be part of the series “Point of View” (“P.O.V.”) before PBS dropped it. One of the subjects of the film is a woman named Cheryl Summerville, who was fired as a cook from a Cracker Barrel restaurant outside Atlanta in 1991 for “failing to comply with normal heterosexual values.” Another subject in the film worked as an electrician at Chrysler.”

That was just some examples that Barsamian’s book discussed. He even included in it a quote from Bill Moyers who has been one of the most reasoned voices on the public airways for many decades: “What is emerging is not public television but government television shaped by politically conscious appointees whose desire to avoid controversy could turn CPB into the Corporation for Public Blindness.” In my opinion PBS, while still occasionally producing the highest quality of television programming, has become the voice of the American Corporate Establishment. It provides enough intellectual content to stimulate the minds of its viewers, who are in general (by PBS’ own assertion) wealthier and better educated than the average American. Then too we see that much of the best programming on PBS was actually created by the British Broadcasting System (BBC). I’ve expressed my belief here in many “guest blogs” and in many comments, that there is a struggle going on in America between those who would have us ruled by elite corporate interests and the other 99% of the American people.

There are some who would disparage the idea that PBS is Corporate tainted, because Conservatives have historically tried to kill it and its member stations, since the inception of educational TV. This is no dichotomy if you realize the value of one of these station licenses to potential private interests. The broadcast rights to WNET in New York, or WGBH in Boston would be worth a large fortune. The ideal situation for elite interests would be to destroy public television, but failing that, co-optation is also beneficial. I will not participate in supporting PBS as long as it remains putatively non-commercial, but realistically a tool of the corporate establishment, though I will continue to watch some of its programming for free with no sense of irony and/or guilt.

While it would be a nice wrap-up to end this piece with ideas on how to re-make PBS into the educational/cultural bastion that it was intended to be, I don’t believe that this is possible. The entire enterprise has become too intertwined with the aims of America’s corporate elite to reform. While it sometimes hits and exceeds the mark of great programming, often its stalwart shows like “The American Experience” take historic, painful moments in our history and overlay them with soothing messages to alleviate the sting that this is our history. Mass protests by viewers are unlikely since it would force many wealthy subscribers into admitting certain truths about our country that would be hard for them to bear, not the least of which is their own complicity. My personal protest, meager as it may be, is to watch those shows with value and refuse to be among the “people like you”. Anathematize me if you will.








Submitted by: Mike Spindell, guest blogger

74 thoughts on “PBS: Why I Watch, But Don’t Contribute”

  1. also, since my ‘High Rant’ switch is on…..who paid for the television and radio infrastructures to be built???? We foot the bill as taxpayers and then they throw sh*t at us and call it a done deal…..what ‘they think’ is ‘quality’ they charge outrageously for in one fashion or another…..it’s like being exposed to a blech virus……oink oink oink…..

  2. I haven’t had a television for years and I rarely miss it. I kept hoping that our glaringly nekkid Emperor of the Third Fourth Realm would wake up before the entire Kingdom was lost but alas, too late. Greedy Guts and plenty Putz couldn’t see past the $$$$ and the blindfolds and now we have nothing but politically misleading drecht, dull and redundant programs and on the ‘arts’ end of things programs that are easily surpassed by 90% of your local high school drama dept. [which is a much better place to put your $$$ if you are a position to be giving it away.] The good news is that there is real quality out there…you just won’t find it on your mainstream booby box with the big corprohogs who are also right there throwing $$$$ at thier ‘gimmee gimmees’ and want you to be the last to know ….

    Viva La Independance! and the amazing QUALITY FARE that is trickiling into this Country with a new wave of INTELLIGENT IMMIGRANTS!!!!!!!!!!!!!!!


  3. Oh one more thing:

    “Almost all black and ethnic stations saw a dramatic drop in their ratings under the PPM system. A stream of protests and litigation have led to recent agreements that Arbitron would increase its efforts to reflect all listening fairly.”

    The word here is “FAIRLY” ????????

  4. Peter Figen
    1, April 29, 2012 at 6:34 am

    ” – the ones who really are struggling and get no government money but ironically, seem to provide the best service to the communities in which they operate.”

    Then you should be interested in this,when i said New York now has only one R & B station the one we are losing is the one you have described in the statement I qouted you on.

    This is a tremendous lose to the Black Community for 98.7 Kiss fm was community oriented station,They would come to New Jersey or hold town hall meetings all over New York on gang violence,inform the community where health care screenings were being held,tenant and lanlord info a whole range of issues that the community they served would be affected by.

    To me the first grand expieriment was the taking of free tv,no more rabbit ears.From that day on we have been losing little by little IMHO.This is just another example.

  5. Great article. Articulates much of what I feel about “public” broadcasting in general – both on radio and television.

    I can’t help but remember a few years back (I live in Southern California) when there was a lively debate and even special election about whether Walmart was going to be allowed to open a store in Inglewood, Ca. Days before that special election I watched a Tavis Smiley show on the local PBS station that was dedicated to the issue, and couldn’t believe what I saw. He basically turned over the entire segment – about 25 of the 30 minutes to the CEO of Walmart to pretty much make an unchallenged speech about how great the new Walmart would be for the community of Inglewood.

    I wrote Tavis an email comment that night and of course never heard back, but watching the next night, I noticed that the lead-in to his show was a sponsorship by Walmart. I wrote him back the next day saying “silly me”. I lost any and all respect for him and have never watched him since.

    Thankfully, the good citizens of Inglewood were aware enough to see through the corporate b.s. from Arkansas and voted them down.

    The only stations I will ever contribute to are those community stations – the ones who really are struggling and get no government money but ironically, seem to provide the best service to the communities in which they operate.

    1. Peter Figen,
      Tavis Smiley is a corporate shill who these days does ads for pay day loan companies.

      Sorry to hear about Kiss fm. It fought the good fight for years and for years people were trying to bring it down. I was in NY a month back and glad to hear WBAI ( Pacifica) 99.5 was still going strong.

  6. Mike,

    Years ago, when there were public servants, I thought every legislator should read “The Power Broker”. I guess they don’t need to now. They’ve got ALEC.

    I don’t think “Public” just means from my point of view. I didn’t begrudge them Buckley and I’m not afraid of Brooks. My cranky old conservative brother asks why the hell his tax dollars should go to those “commies”. Well, now I despair…you don’t want your dollars to go to them either. Great. Congratulations James O’Keefe. You’ve won.

  7. Curious,
    I will vote for Obama as the far lesser of two evils. As for Ken Burns I watch everything he does and the last time a dime of mine went to PBS was to by the CD’s for his history of Jazz. I didn’t realize that Moyers wouldn’t talk to Robert Caro, but it does make sense given Caro’s bio of his old Boss. I read the LBJ series and the Robert Moses book. The latter was like a course in Politics 101. Caro’s a great historian.

    Michael Murry,
    If you haven’t you should view the Murrow intro since it affirms your point on what “public” was originally supposed to mean.

    Thank you for reading my piece and your pungent commentary.

  8. I don’t contribute to commercial television programs whose corporate sponsors pay for the programming and I don’t contribute to public broadcasting programs whose corporate sponsors pay for the programming.

    I once thought that the word “public,” as in Public Broadcasting, meant the same thing as “public,” as in Public Education, Public Parks, and “open to the public,” as in “freely available to everyone.” Our tax dollars once supported all these public services and our government provided them in the enlightened interest of producing informed, thoughtful, “public spirited” citizens. Then came the plague of “privatization” by the Visible Hands of Monopoly Market Management, Inc., so that “public” now means “the avaricious and insatiable transfer of public value into private pockets.”

  9. “Currently 65% of “The PBS NewsHour” is owned by Liberty Media which is owned by a man known for his right wing viewpoint.” — Mike Spindell

    When I read the above sentence, I started laughing hysterically at the mention of right-wing “Liberty” Media. When my Taiwanese wife asked me why, I told her that I had just read the word “liberty” used in a way that reminded me of “Victory Mansions,” “Victory Gin,” and “Victory Cigarettes,” in George Orwell’s 1984. Said my wife: “Tell your friends that you spit your Victory Coffee all over the place when you read that.”

  10. Tony. A man with a solution. Kudos.

    I’m not ready to shut down PBS or NPR. Perhaps it is not independent enough, but on the slight chance that my grandchildren will watch a Ken Burns series rather than “24” or DWTS, I’ll support their programming. And maybe I’ll be able to occasionally see a little Sondheim, or meet a guy like Roger Rosenblatt. But thank you for allowing me the opportunity to voice a huge gripe on Moyers. Why the hell will he NOT talk to Robert Caro? LBJ and LadyBird are long dead. Is there a chance that Moyers’ image will be a bit tarnished?

    Mike’s essay and these responses prompts a question… Will you be voting for Obama? I suppose you can guess my answer.

  11. During the four years we lived in Australia — my wife and I were some of the few left-wingers who actually DID move out of the U.S. because of our disgust for realPresident Cheney and his monkey-puppet — we could watch the PBS NewsHour on our TV. It came on SBS, an over-the-air station the Aussie government operates. SBS showed foreign-language newscasts from Poland, Italy, Greece and other countries — a favour to Oz’s large immigrant population. The PBS NewsHour was the American representation.

    Aside from the familiarity of seeing well-known faces on our TV, watching PBS was galling. We look at news through a left-wing ideological filter, and we’re quick to spot corporatist BS. The NewsHour was thick with it. They give David fcking Brooks a platform, after all. The main reason we watched was to jeer. Bitter much, mate? Damn straight!

    FWIW, the Australian Broadcasting Corp. and SBS’s own programmes (as they spelt it there) were straight down-the-middle, occasionally hard-hitting journalism. Ditto for the Canadian Broadcasting Corp. news where we now live in Vancouver. (I’m a hospital nurse. I get to live wherever I want in the English-speaking world, eh?) We also get al-Jazeera English and RT (Russian) TV on our cable system. While both of the latter have their biases, I can discount for them. They have a more world-centric outlook, but AJ and RT also cover U.S. news better than any of the American cable networks. (All preznitial horse-race, all the time! Unless there’s a missing white girl or political sex scandal…)

    We never watch any American network TV news or PBS. It’s sad what American broadcasting has come to.

  12. My wife and I still buy things from PBS about once a year, but that is the extent of our support.

    To me, PBS is a failed experiment. As it turned out, quickly, there were too many free riders and not enough generosity to support a television channel. So they resorted to, as they say, “a brother from another mother,” by which I mean advertising in disguise that occupied as much (or more) of the broadcasting bandwidth as the damn advertising did. Pledge drives, celebrity begging, and all the rest of the ways to raise money and pretend you aren’t selling things, when in fact you are. (a CD, a T-Shirt, a DVD, dinner with the famous local news anchor or a game as the guest of the sports anchor, your name on the scroll of contributors).

    The truth is that productions are expensive and the “tax” on production is either a subscription fee or 16 minutes out of every hour spent selling.

    My advice to PBS would be to just GET OVER IT, and be choosy about what you sell. I really would not be upset if you sold dish soap or dog food or lawn fertilizer or big rig driving lessons while I watch Masterpiece Theatre, or Nero Wolfe, or Sherlock Holmes, or listen to the Big Band history. Just be a little picky. You don’t have to sell Viagra or Cialis if you don’t want to; you don’t have to sell alcohol, you don’t even have to sell cars. You can eliminate half the advertisers if you want, and STILL have a full dance card.

    Heck, put up a website and let your viewers get involved in approving the advertisers or giving reasons to boycott them. I guarantee you, advertising is a SELLER’S market, not a buyer’s market. There is many a restaurant, retail shop, car lot, service shop and bank that will pay bucks to air a commercial, and you can set your own standards of decency, volume control, and tastefulness.

    Just GET OVER IT, PBS. We are all fast-forwarding through the damn telethon bits anyway. Save yourself, sell advertising on YOUR terms, while you still can, and if an advertiser threatens to cancel because of your programming, I suggest you make it a policy to pre-emptively fire them. In their space, do like the billboards do: Run an ad for the ad space, and be open: Tell people how easy it is to advertise on PBS, where to apply, what it costs, and a website to visit.

  13. OT

    There are two phenomena which are sad about this blawg:

    One, are the people who say in effect: Don’t attack my opinions, for then you attack me. OK, it you must sweep yourself into your opinion garments, so be it, but don’t complain. That is not worthy a human.

    Two, are the ones who immediately retreat to ad hominems, attack with them also. Even in first responses (lovely images) to a blog by just anybody.
    That is also showing you ain’t nothing but a child. Descending to name-calling is so just that..

    And I cast the first stone at myself so as to preempty others in that act.

    I will not wave at the crowd either. MY ego has some bounds, not decent, but some anyway.

  14. Mike Spindell1, April 28, 2012 at 3:00 pm

    I had a tuff time finding that stat….but the #’s were similiar to other articles

    DavidH1, April 28, 2012 at 3:13 pm

    Baby, meet Mike. Mike, meet bathwater.

    What an incredibly convoluted way to announce to the world you are too cheap to pay your share for some of the finest arts programming on television.
    you’re kidding, right??????

  15. Mike 1, April 28, 2012 at 1:33 pm

    This is why I get all my news from the wood pecker that lives inside my head.

    lol that explains a lot.

  16. Wow, great article, outstanding research.

    I had not actually questioned myself much on why I kept turning off the NPR station — it’s one of those things I didn’t think about. Whenever there is a thing I don’t think about, I like to keep it that way. I have enough damn trouble thinking about the things I CANNOT stop thinking about.

    But now, thinking through my growing feeling of dis-ease (and almost mal-aise) with the radio talk I turned from over and over, I have come to the conclusion that I felt coerced and I felt subtly scolded! Perhaps I am oversensitive. I don’t know what individual things I was hearing to give me that feeling, but I have a vague memory of the thought, “Oh shut up!” when I would turn the channel to listen to some music that wasn’t even my favorite. “Just don’t talk at me any more.”

    Part of it might have been the terrible feeling I tend to get when something that is just plain outrageously wrong is presented as if it’s kind of a “ho hum let’s think about whether we really like this or not.” It reminds me of a class given in middle school on nutrition, where a teacher might say:

    “Now if you have meat that has spoiled and is green and stinks more or less to high heaven or eggs that were cracked adn scrambled and then sat out on the counter top all night or maybe some food that could be contaminated with strychnine, you might not want to serve that or eat much of that particular food for supper.”

    Reminds me. I know an independent Arab journalist who was talking to me about what kinds of things our state department could have done during the period of time between 9/11 and the time of our conversation (2008) to have come out with a better result. I had asked pointedly: “If you were in charge, what would YOU have done?” He answered, “I would have bought al-Jazeera. Obviously!”

  17. OT
    I’ve put Russ Baker and the Bush era (?) aside for the moment.
    Right now it is the “encouragement” from the 30’s Soviet Union as told by Nedezhda Mandelstam, wife of Osip, (Hope agaínst Hope). Such touching stories of NKVD chiefs, who get executed 2 years later. And the routine that all night arrests had to be witnessed by a citizen witness. Is that a distant relative to ours or what we will become?

  18. DavidH 1, April 28, 2012 at 3:13 pm

    Baby, meet Mike. Mike, meet bathwater.

    What an incredibly convoluted way to announce to the world you are too cheap to pay your share for some of the finest arts programming on television.
    I hear the NAZI folks had some of the best art in Europe.

    After they stole it and hid it elsewhere that is.

    Being art is better than having art.

    Mike S is art DavidH.

  19. Sound apples in a rotten barrel soon become the same. Our nation is a failure, as apparently is humankind.
    Liberalism among the wealthy, what a laugh. Liberalism in general is just a question of the image and friends you wish to have. How many ever get their hands dirty in hands in contact with the disadvantaged.? How many have husbands who have honorable employers or honorable jobs?

    If MikeS can’t see a way out, no one can. Thanks for the Russ Baker tip and your old 24/11-11 article too.

    And it’s the same bird: black on top, white on the bottom. Sometimes it cackles, sometimes squawks. Sometimes it flys upside down. But it is in the same direction and defecates the same excrement.

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