Submitted by: Mike Spindell. guest blogger
On New Year’s Eve my wife and I saw the movie “Les Miserables”. We’d seen the musical on Broadway and had been enchanted by it. The music from it is superb and this musical fully deserves all the acclaim it has received through the years. As much as I loved the stage version of “Le Mis”, the movie took all of the greatness of the stage and added something to the mix that lifted it into subversive social commentary. That is what I’m going to write about, but first for those who are unfamiliar with either the source book, or the musical adaptation, a very brief synopsis is needed to set the scene.
The story begins after the French Revolution and the defeat of Napoleon. The Royal Dynasty has been restored to power and the freedoms of the Revolution have been lost. The protagonist of this work is Jean Valjean. He was sentenced to twenty years of hard labor because of the ramifications of his stealing a loaf of bread for his starving sister. Imprisoned he is noticed by one of his Jailers, Javert, who notes Valjean for his almost super-human feats of strength. Valjean is paroled after serving his time and subsequently breaks parole. He is chased by Javert for the rest of the tale. The plot of the 1,900 page (in French) novel is summarized in detail at this link: http://en.wikipedia.org/wiki/Les_Mis%C3%A9rables Details of the play and the movie are available here: http://www.lesmis.com/.
The ingredient added to the movie, which couldn’t have been done on stage were scenes depicting the abject poverty of the common people and the poor. With the visual nature of film and what will probably be Academy Award makeup, costuming and art direction, you can see a recreation of the life of the French lower classes in the 18th Century. These descriptions run true to the original novel which was so rich with detail. The book “Les Miserables” was intentionally revolutionary for its time as best summed up by the author Victor Hugo in the preface to the novel:
“So long as there shall exist, by reason of law and custom, a social condemnation, which, in the face of civilization, artificially creates hells on earth, and complicates a destiny that is divine, with human fatality; so long as the three problems of the age—the degradation of man by poverty, the ruin of women by starvation, and the dwarfing of childhood by physical and spiritual night—are not solved; so long as, in certain regions, social asphyxia shall be possible; in other words, and from a yet more extended point of view, so long as ignorance and misery remain on earth, books like this cannot be useless.”
Hugo’s eloquence above and its implications for our current time is the subject that I want to discuss. Continue reading ““Les Miserables” and the Shape of Things to Come”
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