There is a controversy in Japan that may rekindle questions about the increasing claims of trademarks and copyrighted material. Belgian designer Olivier Debie has accused Japanese designer Kenjiro Sano of stealing the basic design of his emblem for a Belgian theater as the official logo for the 2020 Tokyo Olympics. There is no question that the letter has similar geometric elements, but it is also true that Sano’s design is indicative of the minimalist tradition of Japanese art. To claim all future minimalist representations of an “T” raises the same concerns as common words or images being declared private property. By the way, I like the Sano design and I think it captures the character of the host nation and its artistic traditions.
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